the curse of knowing how to win

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Jun 13 • 2 min read

the ugly diorama


Among the boxes, bubble wrap, and tape, we had to add tissue paper, modeling clay, and glue to the mix.

The last project of my 5-year-old’s school year was a diorama about his favorite animal.

An orca.

Mostly because he is currently obsessed with Italian brain rot and Orcalero Orcala.

Don’t ask.

He asked if we could help.

Then asked if we could do some of it.

We said no.

Not because we’re heroic parents with a perfect philosophy taped to the fridge.

Because it was his project.

We got the materials. We showed him where the scissors were. We answered his questions. We helped make the work possible.

But his hands had to do it.

And his hands did what 5-year-old hands do.

Too much glue.

Tissue paper everywhere.

A clay orca shaped by looking at a picture in a book.

A little ocean scene that looked exactly like a five-year-old made it.

Because a five-year-old made it.

He was proud as hell walking into school.

Then I looked around.

Some of those dioramas looked like they had production budgets.

Tiny trees. Fake grass. Perfect landscapes. Clean edges. Full cinematic universes inside a shoebox.

And before this turns into a parenting courtroom, no.

Parenting is hard as shit.

I fully understand the parent with a hot glue gun at 11:47 PM just trying to survive the week.

But standing there next to all these beautiful little worlds, I had one clear thought:

His looked worse.

And it probably taught more.

Because he owned it.

He read about orcas, shaped the thing himself, decided where the water went.

He made something from nothing and had to live with the result.

Could I have made it prettier?

Obviously.

I’m a grown man with access to YouTube and fine motor skills.

But if I do the diorama, he gets the grade and I get the lesson.

He’s gotta own it.

And this is why I coach the way I coach.

People will come into the room wanting the answer.

Tell me what to do.

Tell me if I should take the client.

Tell me if I should scale this.

Tell me if I should leave.

Tell me if this is fear or truth.

And sometimes I can see the move pretty quickly.

But if I hand them my answer too fast, I own the decision while they go and execute someone else’s plan…learning very little along the way.

That’s not the room I want to build.

I’m not here to be the adult with the hot glue gun.

I’m here to make the work possible without stealing the part that belongs to them.

So, I ask better questions. Name what I see. Press where they’re hiding.

Slow the room down when everything in them wants to sprint toward certainty.

Because the answer is not always the point. It rarely is.

Sometimes the point is becoming the person who can tell the truth, make the decision, and trust themselves after.

A lot of successful people have beautiful dioramas.

The business works.

The numbers look good.

The outside is impressive.

But privately, they’re not sure they actually chose it.

Or if they learned anything that actually changed them.

To the point where they hit a fork in the road that asks:

“Does this thing I built give me the life I want?”

That’s where the work starts.

Making the diorama prettier isn’t first on the list.

Because an ugly thing you actually made can build more self-trust than a perfect thing someone else performed through you.

My son’s diorama was messy.

Too much glue.

Very little symmetry.

Suspicious orca anatomy.

But he knew what he made.

And he carried it in with his head up.

I want that for my clients.

Not prettier boxes.

Stronger people who trust themselves when it’s messy.

-C


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